• Secure and Synchronised Review for Film, TV and VFX

    The Emmy® and Academy Award®-winning cineSync is the world’s most trusted remote review and approval system. Used by film and television productions worldwide, cineSync guarantees that everyone sees exactly the same frame at the same time.

    cineSync integrates directly with ftrack Studio, as well as with tools such as Shotgun and NIM, ensuring a fast, synchronised and streamlined remote collaboration experience.

    Learn more about cineSync
  • Real-time Video Review

    The world’s best browser-based solution for interactive review of stills and video. Used by creative studios involved in advertising, music videos and other short form productions to review work in progress. Reviews are saved in a PDF that contains all notes, drawings and saved frames.

    Frankie solves the problems of endless email chains, incompatible formats and missing attachments. Any video sent for approval will play first time, every time.

    Learn more about Frankie

cineSync allows us to draw on the screen and work remotely with companies in Germany, England, LA, Canada and New Zealand.

Chris Townsend

VFX Supervisor, Guardians of the Galaxy Vol. 2

I'm constantly working remotely with cineSync! It's so much in the DNA of an AAA film production that it's almost impossible to imagine a work day that doesn't involve it.

Jake Morrison

VFX Supervisor, Thor: Ragnarok, Ant-Man

cineSync makes it all possible. I can’t imagine how we would do it without that bit of software.

Kelvin McIlwain

VFX Production Supervisor, The Fate of the Furious

It’s a very efficient way of working — in fact, for me it’s far more efficient than being in the same city. It’s all focused communication on exactly that show you’re working on and what’s in frame, and there’s no time wasted driving across town. It’s right there.

Christopher Nolan

The Dark Knight, Inception, Interstellar

cineSync provides the instant, real-time communication, then the resulting notes provide the security in knowing that everyone is on the same page. That’s incredibly important.

Eric Durst

VFX Supervisor, Gods of Egypt, Snowpiercer

The Edmonton Oilers is a big team with a big fanbase, and that means we have a great deal of creative to produce and release. While many remote approval tools can be frustratingly complex, Frankie is incredibly easy to use – the learning curve is practically non-existent.

Edmonton Oilers

National Hockey League

Having cineSync Pro and Frankie is a real one-two punch for reviewing material. We love cineSync Pro, which is robust, secure and is the industry standard for reviewing film work. Frankie is the de facto solution when we organize a last-minute session with people out of the office

Jordan Soles

CTO, Rodeo FX

cineSync was completely intertwined in our day-to-day workflow. It was a brilliant overall tool and made my life much simpler.

Gavin Round

VFX Production Supervisor, King Arthur: Legend of the Sword

I’ve been using cineSync as a tool for many years now, but it was really this movie when I said ‘I really can’t picture getting this movie done on time without it!

Jake Braver

VFX Supervisor, The Fault in our Stars

Frankie allows us to work in total confidence, with anyone, anywhere around the world

Digby Hogan

Partner, The Empire Post